Sandbox Percussion Wins a 2024 Avery Fisher Career Grant
Congratulations to our client Sandbox Percussion, a fearless percussion quartet, for becoming the first-ever percussion ensemble to receive the prestigious award.
Brooklyn-based quartet becomes the first-ever percussion ensemble to receive award
The GRAMMY®-nominated ensemble Sandbox Percussion, a quartet of established leaders in contemporary art music and percussion, received a 2024 Avery Fisher Career Grant on March 20. The awards ceremony took place in the Jerome L. Greene Performance Space at WQXR studios, where Sandbox Percussion and four other artists were announced as this year’s recipients of the career-advancing grant, which the Avery Fisher Artist Program awards every year to no more than five artists. The $25,000 grant provides professional assistance and recognizes instrumental artists who the program believes have great potential for major careers in classical music.
“We are deeply honored by this award from the distinguished Avery Fisher Artist Program,” said percussionist Ian Rosenbaum, who co-founded Sandbox Percussion in 2011 with fellow members Jonathan Allen, Victor Caccese, and Terry Sweeney through a mutual love of chamber music and contemporary composition. They are now an internationally renowned new-music quartet and have become the first percussion ensemble to receive the prestigious award. “We have looked up to many of the previous recipients and been inspired by them for years,” added Rosenbaum. “It’s exciting to become part of the celebrated history of this program.”
Deborah Borda, the Avery Fisher Artist Program Chair, and Nancy Fisher, daughter of the late Avery and Janet Fisher, presented the awards at the ceremony, which coincided with the program’s 50th anniversary. The annual ceremony includes a short performance by each selected artist and a professional recording. This year’s performances, which included music by the Balourdet Quartet, violinists Njioma Chinyere Grevious and Julian Rhee, and pianist Clayton Stephenson, besides Sandbox Percussion, will be broadcast on April 11 at 8 p.m. and April 13 at 7 p.m. on WQXR 105.9 FM.
2024 Avery Fisher Career Grant recipients (L-R) Balourdet Quartet, Njioma Chinyere Grevious, Clayton Stephenson, Julian Rhee, and Sandbox Percussion.
(Photo credit: Jennifer Taylor)
Sandbox Percussion performed “Pillar V” from the riotous Seven Pillars, a 2021 feature-length suite for percussion quartet composed by Andy Akiho and commissioned by Sandbox Percussion, which the New York Times called “a lush, brooding celebration of noise.” “Pillar V” is built around a hexatonic scale and an interminable ostinato; with each repetition, the music swells and presses forward relentlessly, ending with an obsessive acceleration of the six pitches of the scale. Seven Pillars earned Sandbox Percussion and Akiho a GRAMMY® nomination for “Best Chamber Music/Small Ensemble Performance,” and the composer a “finalist” placement for the 2022 Pulitzer Prize in Music. Since the world premiere in 2021, Sandbox Percussion has taken Seven Pillars on tour throughout the United States and Europe, with stage direction and lighting design by Michael Joseph McQuilken.
The Avery Fisher Career Grant will allow the recording and touring ensemble to jumpstart a follow-up commission from Akiho, a steelpan virtuoso with whom the quartet has a mutual synergy that resulted in the creation of Seven Pillars. The success of that work and its ongoing performance history has inspired Sandbox Percussion and Akiho to collaborate on a new piece, this time with Akiho joining the group on the steelpan. The planned quintet, about an hour long, will bring to fruition the potential that was discovered and cultivated throughout the collaborative process for Seven Pillars. It will add Akiho’s virtuosic talents as a performer. A recording and a tour as a live quintet are also in the works.
This season, Sandbox Percussion performed at the Park Avenue Armory’s Veterans Room, featuring premieres by Chris Cerrone and Viet Cuong, and at the 92nd Street Y with new-music specialist Conor Hanick on piano. In May, the quartet performs at Chamber Music Society of Lincoln Center with acclaimed new-music performers Dawn Upshaw, Gilbert Kalish, and Alisa Weilerstein. Sandbox Percussion will also continue to champion Viet Cuong’s ingenious concerto for percussion quartet Re(new)al, which they have performed every season since the premiere in 2017.
In the summer, the ensemble will give the world premieres of Prophecies of Fire, by Pulitzer Prize-winning composer John Luther Adams; and To Sing or Dance, for violin and percussion quartet, by GRAMMY® winner Joan Tower, also featuring violinist Soovin Kim. Later this year and in upcoming seasons, Sandbox Percussion will also perform new music by Douglas J. Cuomo, Tyshawn Sorey, Paola Prestini, and Gabriel Kahane. Future album releases include music by Michael Torke and by Chris Cerrone.
To learn more about Sandbox Percussion, please visit sandboxpercussion.com.
8va among OBSERVER’S 2024 “Top PR Firms for the Performing Arts”
It’s an honor to be one of Observer's “Top PR Firms for the Performing Arts” for 2024.
It’s an honor to be one of Observer's “Top PR Firms for the Performing Arts” for 2024. One of only five! We feel so privileged to work with the greatest clients in the world. Thank you for your trust; it’s an honor to work with you.
With a roster of clients that includes the Emmy Award-winning All-Star Orchestra, internationally recognized conductor Gerard Schwarz, Beijing Music Festival, composer-of-the-moment Andy Akiho and Pulitzer Prize-winning composer Anthony Davis, 8VA Music Consultancy is involved in the careers of the contemporary classical giants. One of the few PR firms specializing in classical music, it takes its name from the abbreviation for all' ottava, Italian for “at the octave,” which instructs musicians to play an octave higher than written.
Read the full Observer piece HERE.
Marc-André Hamelin on the cover of ‘Pianist’ magazine
The iconic Marc-André Hamelin, known worldwide for his unrivaled blend of consummate musicianship and brilliant technique, is the cover star of the spring issue of Pianist magazine, for April and May, 2024!
Jessica Duchen talks to Marc about his eclectic range of repertoire, and his own Variations on a Theme of Paganini.
The iconic Marc-André Hamelin, known worldwide for his unrivaled blend of consummate musicianship and brilliant technique, is the cover star of the spring issue of Pianist magazine, for April and May, 2024!
Jessica Duchen talks to Marc about his eclectic range of repertoire, and his own Variations on a Theme of Paganini.
Pick up your copy of the magazine HERE.
Also, check out Pianist’s “10 must-watch live performances from Marc-André Hamelin”: From Bach in Russia, to Liszt's Hungarian Rhapsody in Tokyo back in 1997... we've chosen 10 of Marc-André Hamelin's most incredible live performances for you to enjoy.
The Strad: Postcard from Hong Kong: Musicus Fest
Cross-cultural and intergenerational exchange is the engine that drives cellist Trey Lee’s Musicus Fest, as Thomas May discovered at its eleventh edition
Cloud-piercing skyscrapers nestled amid sea, mountains and lush green spaces: Hong Kong is a captivating marvel of stunning yet harmonious contrasts. This densely populated, cosmopolitan metropolis surrounded by the South China Sea is best known as a financial hub and magnet for shoppers and culinary adventurers.
It’s also an environment particularly well suited to Musicus Society’s mission of promoting cross-cultural collaboration. ‘“East meets West” might be a cliché elsewhere, but in Hong Kong, it is literally what happens,’ said cellist Trey Lee, artistic director of the Hong Kong society he co-founded with his sister Chui-Inn Lee in 2010. ‘This may even be the original East-meets-West centre of the world.’
The Strad
By Thomas May
Cross-cultural and intergenerational exchange is the engine that drives cellist Trey Lee’s Musicus Fest, as Thomas May discovered at its eleventh edition
Cloud-piercing skyscrapers nestled amid sea, mountains and lush green spaces: Hong Kong is a captivating marvel of stunning yet harmonious contrasts. This densely populated, cosmopolitan metropolis surrounded by the South China Sea is best known as a financial hub and magnet for shoppers and culinary adventurers.
It’s also an environment particularly well suited to Musicus Society’s mission of promoting cross-cultural collaboration. ‘“East meets West” might be a cliché elsewhere, but in Hong Kong, it is literally what happens,’ said cellist Trey Lee, artistic director of the Hong Kong society he co-founded with his sister Chui-Inn Lee in 2010. ‘This may even be the original East-meets-West centre of the world.’
Although he has long been based in Berlin, Lee is also a musical thought leader who maintains tight connections with his native Hong Kong. He resolved to establish Musicus Society as a result of his personal experience studying abroad (initially in the US, subsequently across Europe). ‘One thing that always struck me when I worked with other musicians or won competitions was that nobody was expecting to meet a cellist from Hong Kong,’ Lee explained during my visit. ‘Hong Kong has so many young people studying classical music; I think the world needs to know that the city is not just a business and finance capital.’
Read more here.
San Francisco Classical Voice: Violinist Anne Akiko Meyers Takes Music Into Her Own Hands
Already a seasoned performer at age 11, when she made her debut with the Los Angeles Philharmonic and appeared on The Tonight Show with Johnny Carson, violinist Anne Akiko Meyers, now 53, is still riding high. A champion of contemporary composers, she has also collaborated with today’s most celebrated conductors, orchestras, and presenters.
Next weekend, Feb. 16–18, Meyers takes the reins of the Laguna Beach Music Festival as this year’s artistic director, performing in three programs, the first of which features works by Arvo Pärt and Heitor Villa-Lobos, as well as a world premiere by Philip Glass. Hailed as “the Wonder Woman of commissioning” by The Strad magazine, the violinist was recently nominated for a Grammy Award for her live recording with Gustavo Dudamel and the LA Phil of Arturo Márquez’s concerto Fandango, written for her in 2021.
Born in San Diego, Meyers began violin lessons with Alice and Eleonore Schoenfeld at the Community School of Performing Arts (now the Colburn School) before moving to New York at age 14 to study at The Juilliard School with the legendary teacher Dorothy DeLay. Just four years later, Meyers recorded her debut album, which featured concertos by Samuel Barber and Max Bruch, with the Royal Philharmonic Orchestra (RPO) at Abbey Road Studios.
San Francisco Classical Voice
By Victoria Looseleaf
Already a seasoned performer at age 11, when she made her debut with the Los Angeles Philharmonic and appeared on The Tonight Show with Johnny Carson, violinist Anne Akiko Meyers, now 53, is still riding high. A champion of contemporary composers, she has also collaborated with today’s most celebrated conductors, orchestras, and presenters.
Next weekend, Feb. 16–18, Meyers takes the reins of the Laguna Beach Music Festival as this year’s artistic director, performing in three programs, the first of which features works by Arvo Pärt and Heitor Villa-Lobos, as well as a world premiere by Philip Glass. Hailed as “the Wonder Woman of commissioning” by The Strad magazine, the violinist was recently nominated for a Grammy Award for her live recording with Gustavo Dudamel and the LA Phil of Arturo Márquez’s concerto Fandango, written for her in 2021.
Born in San Diego, Meyers began violin lessons with Alice and Eleonore Schoenfeld at the Community School of Performing Arts (now the Colburn School) before moving to New York at age 14 to study at The Juilliard School with the legendary teacher Dorothy DeLay. Just four years later, Meyers recorded her debut album, which featured concertos by Samuel Barber and Max Bruch, with the Royal Philharmonic Orchestra (RPO) at Abbey Road Studios.
Read more here.
Slate: Malcolm X’s Story, Told Through Opera by Anthony Davis
This week, host Isaac Butler talks to Anthony Davis, a Pulitzer Prize winning opera composer whose work includes the 1986 opera X: The Life and Times of Malcolm X, which was recently revived and produced for the Metropolitan Opera. In the interview, Anthony discusses the inspiration for X and the many genres he drew from to compose its music. He also talks about how to craft a story using music and why it’s important to him to make political art.
After the interview, Isaac and co-host June Thomas discuss creative career pivots and the act of finding inspiration from eavesdropping.
In the exclusive Slate Plus segment, Anthony and Isaac talk about their mutual love of science fiction.
SLATE
By Isaac Butler
This week, host Isaac Butler talks to Anthony Davis, a Pulitzer Prize winning opera composer whose work includes the 1986 opera X: The Life and Times of Malcolm X, which was recently revived and produced for the Metropolitan Opera. In the interview, Anthony discusses the inspiration for X and the many genres he drew from to compose its music. He also talks about how to craft a story using music and why it’s important to him to make political art.
After the interview, Isaac and co-host June Thomas discuss creative career pivots and the act of finding inspiration from eavesdropping.
In the exclusive Slate Plus segment, Anthony and Isaac talk about their mutual love of science fiction.
Listen here.
Photo Credit: Micah Shumake
BBC Music Magazine: Amelia Earhart: how the tragic story of the aviation pioneer inspired a thrilling new violin concerto for Anne Akiko Meyers
Legendary adventurer and feminist icon Amelia Earhart set two world records in 1932 – flying alone across the Atlantic Ocean in 15 hours, becoming the first woman and only the second person in history to do so; and subsequently flying non-stop across the US, again the first time a woman had achieved the feat.
These magnificent records made Earhart an instant worldwide sensation. Independent and adventurous since childhood, she knew on her very first flight in December 1920 with experienced pilot Frank Hawks that her place was in the air. ‘As soon as I left the ground, I knew I myself had to fly,’ she revealed.
BBC Music Magazine
By Charlotte Smith
Legendary adventurer and feminist icon Amelia Earhart set two world records in 1932 – flying alone across the Atlantic Ocean in 15 hours, becoming the first woman and only the second person in history to do so; and subsequently flying non-stop across the US, again the first time a woman had achieved the feat.
These magnificent records made Earhart an instant worldwide sensation. Independent and adventurous since childhood, she knew on her very first flight in December 1920 with experienced pilot Frank Hawks that her place was in the air. ‘As soon as I left the ground, I knew I myself had to fly,’ she revealed.
Read more here.
Photo Credit: Getty Images
UC San Diego Today: A Standing Ovation for Opera Icon Anthony Davis
This January, UC San Diego Distinguished Professor of Music Anthony Davis was inducted into the Opera Hall of Fame. The honor comes on the heels of an immensely successful production of “X: The Life and Times of Malcolm X” at the Metropolitan Opera, a work he composed 37 years ago, and which drew packed houses nearly nightly. “It was a fantastic experience, one of the highlights of my life,” he shared.
A Pulitzer prize-winning musician who has written eight operas thus far, Davis is unafraid to spotlight some of society’s most pervasive problems—from racism and police brutality to immigration reform and political unrest. Yet the weighty topics are counterbalanced by a sense of play and an affinity toward “trickster” characters that are difficult to pin down. His four-decade dedication to composing music that elevates unsung voices contributed to his selection by Opera America as an artist who has strengthened the field—one of only five composers to be honored in the history of the award.
UC San Diego Today
By Erika Johnson
This January, UC San Diego Distinguished Professor of Music Anthony Davis was inducted into the Opera Hall of Fame. The honor comes on the heels of an immensely successful production of “X: The Life and Times of Malcolm X” at the Metropolitan Opera, a work he composed 37 years ago, and which drew packed houses nearly nightly. “It was a fantastic experience, one of the highlights of my life,” he shared.
A Pulitzer prize-winning musician who has written eight operas thus far, Davis is unafraid to spotlight some of society’s most pervasive problems—from racism and police brutality to immigration reform and political unrest. Yet the weighty topics are counterbalanced by a sense of play and an affinity toward “trickster” characters that are difficult to pin down. His four-decade dedication to composing music that elevates unsung voices contributed to his selection by Opera America as an artist who has strengthened the field—one of only five composers to be honored in the history of the award.
Read more here.
Photo Credit: Marty Sohl/Met Opera
WETA: Rachel Barton Pine Speaks about Music by Black Composers
In 1997, I was invited to record my first concerto album. As I was quite young, I decided to wait a little longer before doing major concertos like Brahms, Mendelssohn, and Beethoven (all of which I’ve since recorded). Instead, the plan was to find some overlooked but wonderful repertoire for violin and orchestra. Thanks to the African-American conductors active in my hometown of Chicago when I was a teenager – Michael Morgan, Paul Freeman, and Coleridge-Taylor Perkinson – I was aware that there were numerous fantastic works by composers of African descent going all the way back to the 1700s. As a fan of the violin, I was really excited by the idea of introducing violin repertoire to the public which would be new discoveries for almost everyone.
During one of my excursions to a library archive, I saw a huge replica of an historic painting on the wall – a Black man in an 18th-Century wig with a sword and a violin. Whoa! Awesome album cover alert! Of course, it was Joseph Bologne, the Chevalier de Saint-Georges, and I fell in love with his music. I included his Violin Concerto in A Major on my album, Violin Concertos by Black Composers Through the Centuries, alongside works by José White and Samuel Coleridge-Taylor (and now Florence Price, in the 25th anniversary re-release).
WETA
Editor's Note: Critically-acclaimed violin soloist Rachel Barton Pine writes this guest blog, speaking about her foundation's initiative, Music By Black Composers.
In 1997, I was invited to record my first concerto album. As I was quite young, I decided to wait a little longer before doing major concertos like Brahms, Mendelssohn, and Beethoven (all of which I’ve since recorded). Instead, the plan was to find some overlooked but wonderful repertoire for violin and orchestra. Thanks to the African-American conductors active in my hometown of Chicago when I was a teenager – Michael Morgan, Paul Freeman, and Coleridge-Taylor Perkinson – I was aware that there were numerous fantastic works by composers of African descent going all the way back to the 1700s. As a fan of the violin, I was really excited by the idea of introducing violin repertoire to the public which would be new discoveries for almost everyone.
During one of my excursions to a library archive, I saw a huge replica of an historic painting on the wall – a Black man in an 18th-Century wig with a sword and a violin. Whoa! Awesome album cover alert! Of course, it was Joseph Bologne, the Chevalier de Saint-Georges, and I fell in love with his music. I included his Violin Concerto in A Major on my album, Violin Concertos by Black Composers Through the Centuries, alongside works by José White and Samuel Coleridge-Taylor (and now Florence Price, in the 25th anniversary re-release).
When I released this record, I was just thinking, this is gorgeous violin music that should have been part of our canon all along, and I’m excited to share it! Almost immediately, I started receiving numerous requestions from students, parents, and teachers, asking for more of this repertoire.
Read more here.
Photo Credit: Lisa-Marie Mazzucco
Classical Voice North America: ‘X’ At Last Marks Spot For Anthony Davis In World Of Modern Opera
When the New York City Opera officially premiered Anthony Davis’ first opera, X: The Life and Times of Malcolm X, in 1986, the composer garnered considerable attention, and his career appeared poised for a big take-off.
But things quickly stalled. X was not revived in the immediate decades that followed. Though he continued to write more operas, including Amistad, which debuted at Lyric Opera of Chicago in 1997, Davis’ career did not live up to the initial burst of adulation.
Then, everything suddenly changed, starting in 2020. His latest opera, The Central Park Five, won him a long-overdue Pulitzer Prize for Music, still the ultimate honor for composers. And in November 2023, a revised version of X made it to the stage of New York’s Metropolitan Opera, a production that served as a huge vindication.
Classical Voice North America
By Kyle MacMillan
When the New York City Opera officially premiered Anthony Davis’ first opera, X: The Life and Times of Malcolm X, in 1986, the composer garnered considerable attention, and his career appeared poised for a big take-off.
But things quickly stalled. X was not revived in the immediate decades that followed. Though he continued to write more operas, including Amistad, which debuted at Lyric Opera of Chicago in 1997, Davis’ career did not live up to the initial burst of adulation.
Then, everything suddenly changed, starting in 2020. His latest opera, The Central Park Five, won him a long-overdue Pulitzer Prize for Music, still the ultimate honor for composers. And in November 2023, a revised version of X made it to the stage of New York’s Metropolitan Opera, a production that served as a huge vindication.
Read more here.
Photo Credit: Winslow Townson