Anne Akiko Meyers

Violinist: Interview with Anne Akiko Meyers and Adam Schoenberg

Violinist: Interview with Anne Akiko Meyers and Adam Schoenberg

When violinist Anne Akiko Meyers started getting the music for a new violin concerto that she had commissioned from composer Adam Schoenberg, she was in for a rather major surprise.

"The first movement was all done in scordatura, which was a first for me," said Meyers. In other words, Schoenberg's music required that she tune one of the strings of her famous 1741 "Vieuxtemps” Guarneri del Gesù down an entire step. Specifically, the G string would be tuned down to an F. "I thought, what am I supposed to do with this? What happens? Do you read the music the same way? Or do I need a crash course on how to play the violin in the key of F, with an F string?"

Strings: Violinist Anne Akiko Meyers & Guitarist Jason Vieaux Play the Green Center

Strings: Violinist Anne Akiko Meyers & Guitarist Jason Vieaux Play the Green Center

Meyers floated in, 1741 “Vieuxtemps” del Gesù in hand, wearing a voluminous gown in a soft black, its overlaid geometric pattern a seeming nod to the hall’s distinctive woodwork. Vieaux, also in black, took his seat and with a quick smile between them, they jumped into the music. An arrangement of Arcangelo Corelli’s Sonata in D minor, Op. 5, No. 12, “La Folia,” with variations headed the program. Fleet fingerwork in both instruments marked the players as virtuosos, but the variations that showcased the artists at their best allowed Vieaux to indulge in a little head bobbing, as he navigated his guitar with astonishing ease, and Meyers to pull a sultry voice from her del Gesù.

San Francisco Classical Voice: Razzle-Dazzle From Anne Akiko Meyers and Jason Vieaux

San Francisco Classical Voice: Razzle-Dazzle From Anne Akiko Meyers and Jason Vieaux

Anne Akiko Meyers is a dazzling violinist with flawless technique, impassioned playing, a high-gloss violin, and even a voluminous Cinderella evening gown that easily covers a square yard of stage. She is impossible to miss.

San Francisco Chronicle Datebook: Anne Akiko Meyers at California Theatre

San Francisco Chronicle Datebook: Anne Akiko Meyers at California Theatre

If anyone can make the parts cohere [in Barber’s Violin Concerto], it’s the brilliant and resourceful violinist Anne Akiko Meyers, who joins conductor Tito Muñoz and the Symphony Silicon Valley as soloist. Also on the program is a new work by the young American composer Adam Schoenberg, along with Tchaikovsky’s Fifth Symphony. 

J. Jill Rhythm in Blues Campaign

J. Jill Rhythm in Blues Campaign

More and more women are breaking barriers in all aspects of the music industry. J. Jill has brought together an eclectic group of artists including Anne Akiko Meyers, Olga Kern, and Patricia Price —the trailblazers, the firsts, the remarkable and revered to learn what they love about music and being on stage (or backstage or behind the lens), what inspires their day to day, and what they won’t go on tour without.

WQXR Presents "19 for 19": Artists to Watch in the Upcoming Year

WQXR Presents "19 for 19": Artists to Watch in the Upcoming Year

Contrary to the misguided and musty reputation often bestowed upon classical music, this art form is very much alive — and in the hands of many talented and creative musicians ushering it forward. That’s why WQXR is kicking off 2019 by introducing “19 for 19,” a group of artists we love that includes long-time heroes, established favorites and newcomers set for stardom.

Miroirs CA: Mirror in Mirror by Anne Akiko Meyers

Miroirs CA: Mirror in Mirror by Anne Akiko Meyers

Mirror, mirror on the wall, guess who released one of the most intriguing recordings of them all? Anne Akiko Meyers, of course. This boutique style CD features arrangements of works by composers of our time that contain a satisfying amount of spirituality and pathos. While Ravel is a composer for all time, the disc includes Tzigane, one of her go to pieces, and for good reason.

The Strad Cover – June 2018

The Strad Cover – June 2018

The second part of Terry Borman’s detailed examination of Anne Akiko Meyers’ violin, ‘Vieuxtemps’ Guarneri ‘Del Gesù’, with contributions from experts in the latest technologies, investigating acoustics, dendrochronology, varnish analysis and plate thicknesses.