ARTIST BIO

Dane Lam is an Australian-Chinese-Singaporean conductor known for performances that unite precision with passion, and for a rare ability to lead across borders — musically, geographically, and institutionally. He moves between opera and symphonic music with equal fluency and has built a career defined not only by international reach, but by the artistic and civic renewal he brings to the organizations he serves.

The only conductor in the world to hold leadership positions at major musical institutions in the United States, Australia, and Asia, Dane is Music and Artistic Director of the Hawai‘i Symphony Orchestra, Artistic Director of State Opera South Australia, and Principal Conductor of the Xi’an Symphony Orchestra. Few conductors lead major ensembles on three continents — and even fewer do so while commissioning new work, expanding audiences, and strengthening cultural identity in each place.

In Hawai‘i, since his appointment in 2023, Dane has led a resurgence of the Symphony’s role in civic life. He has introduced televised concerts, launched the HapaSymphony series blending classical and Hawaiian music, expanded audiences to record levels, and commissioned new works from across the Pacific alongside core repertoire in his Masterworks program. In 2024–25, he led the orchestra’s first complete Beethoven Symphony Cycle in its 125-year history — pairing Beethoven with Pacific Rim composers such as Ye Xiaogang and reviving the music of Honolulu-born Dai-Keong Lee (1915–2005), neglected for decades. His programming places Beethoven beside local legends and new voices beside overlooked ones, reframing tradition for a living community.

In Adelaide, as Artistic Director of State Opera South Australia, he is reimagining the company as a globally connected institution rooted in local voice. His seasons pair beloved repertoire with new operas by Missy Mazzoli, Nardi Simpson, and Jonathan Dove, and visionary co-productions with Scottish Opera, San Francisco Opera, Canadian Opera Company, and Irish National Opera. He made his mainstage debut as Artistic Director in 2024 with Così fan tutte, and in 2025 he led a new Magic Flute — the first-ever Australia–China opera co-production — and the world première of SOSA–Irish National–West Australian Opera’s Roméo et Juliette. The company’s 50th Anniversary Golden Jubilee season in 2026 will feature four brand-new productions, the first babies’ opera ever produced outside Europe, and an ambitious program of regional and touring activity — an unprecedented scale of new work for an Australian opera company.

In 2014, Dane was appointed Principal Conductor of the Xi’an Symphony Orchestra — the first non-Chinese conductor to hold such a position with a major Chinese orchestra. Under his leadership, XSO has become one of the nation’s most artistically vibrant and institutionally secure ensembles. The orchestra has welcomed artists of the calibre of José Carreras, Midori, Stephen Hough, and Barry Douglas; launched Xi’an’s first full-scale opera productions; and presented its inaugural Beethoven, Brahms, and Mahler symphony cycles. The 2016 televised Mid-Autumn Festival Gala, featuring the Xi’an Symphony, reached a global audience of more than one billion.

During 2020–2021, Dane served as Resident Conductor and Associate Music Director of Opera Queensland — the first titled conductor in the company’s history — and was a leading figure in Australia’s post-pandemic cultural revival. As early as August 2020, he conducted the first full-capacity orchestral concert in the world post-lockdown with the Adelaide Symphony Orchestra, followed by concerts with the Queensland Symphony Orchestra and Melbourne Symphony Orchestra’s first season back in 2021. His leadership helped reopen concert halls and restore live music-making at a time of global uncertainty.

Opera has always been central to his career. He has conducted more than thirty productions with companies including Opera Australia, Scottish Opera, Opera Queensland, West Australian Opera, Opera Holland Park, Shaan’xi Grand Theatre, and Hawai‘i Opera Theatre. He is especially in demand for his interpretations of Mozart, praised for their dramatic clarity and musical cohesion. His repertoire spans Puccini, Verdi, Mascagni, Cilea, and Gluck, as well as contemporary composers such as Carl Davis and Will Todd. He is particularly admired for drawing emotionally detailed performances of the Italian repertoire from both singers and orchestras.

As a symphonic guest conductor, Dane has led orchestras across Europe, Asia, and Australasia, including the Munich Radio Symphony, Royal Liverpool Philharmonic, City of London Sinfonia, Residentie Orkest The Hague, Beethoven Orchester Bonn, and the Verbier Festival Orchestra. In the Asia-Pacific region, he has conducted the symphony orchestras of Shenzhen, Beijing, Suzhou, Kunming, and Dunedin, as well as all major Australian state orchestras. His Beethoven performances are noted for their immediacy and visceral energy, and in Hawai‘i he is currently leading a multi-year Mahler Cycle, bringing out the vivid modernity and emotional range of that composer’s sound world.

After undergraduate studies at the University of Queensland, Dane studied conducting at The Juilliard School under James DePreist and later at the Royal Northern College of Music with Sir Mark Elder. He was assistant to Kurt Masur at the Orchestre National de France and a protégé of Gianluigi Gelmetti, under whose mentorship he worked during the maestro’s tenures at the Sydney Symphony and Teatro dell’Opera di Roma.

Whether conducting Mahler or Mozart, in Waikīkī, Xi’an, or Adelaide, Dane Lam does more than conduct concerts — he builds bridges: between cultures and communities, between artists and audiences, and between what music has been and what it still can be today.

VIDEOS