For Your GRAMMY® Consideration
Clients are listed in alphabetical order by category:
—Best Orchestral Performance—
Coleridge-Taylor
Michael Repper, Curtis Stewart, National Philharmonic
—Best Choral Performance—
Beloved featuring Anne Akiko Meyers
Los Angeles Master Chorale, Grant Gershon
Chamber Music by James Joyce, Vol. 1
Desmond Earley, Choral Scholars of University College Dublin, Solstice Ensemble
—Best Chamber Music/Small Ensemble Performance—
Philip Glass: Echorus
Anne Akiko Meyers, Aubree Oliverson, Academy Virtuosi from the Colburn School
Woodland Songs: Music of Jerod Impichcha̱achaaha' Tate, Pura Fé, and Dvořák
Dover Quartet
Dvořák & Price: Piano Quintets
Marc-André Hamelin, Takács Quartet
French Impressions: Chamber Music by Chausson & Tailleferre
Rachel Barton Pine, Pacifica Quartet, Orion Weiss
Andy Akiho: Pentalateral I
Sandbox Percussion, Andy Akiho
—Best Classical Instrumental Solo—
Philip Glass: Violin Concerto No. 1
Anne Akiko Meyers, Los Angeles Philharmonic, Gustavo Dudamel
Michael Daugherty: Blue Electra from Michael Daugherty: Blue Electra, Last Dance at the Surf, & To the New World
Anne Akiko Meyers, Albany Symphony, David Alan Miller
Haochen Zhang Plays Beethoven and Liszt
Haochen Zhang
Karen LeFrak: Miami Concerto for Guitar and Orchestra from ROMÁNTICO
Sharon Isbin, Enrico Lopez-Yañez
Beethoven: Hammerklavier Piano Sonatas Op 106 & Op 2 No 3
Marc-André Hamelin
3 Selections from “24 Negro Melodies” from Coleridge-Taylor
Curtis Stewart, Michael Repper
Stories (re)Traced
Nancy Zhou
J. S. Bach: The Complete Violin Concertos
James Ehnes, National Arts Centre Orchestra
Corelli Violin Sonatas, Op. 5
Rachel Barton Pine, David Schrader, John Mark Rozendaal, Brandon Acker
Shostakovich Preludes & Fugues, Op. 87
Yulianna Avdeeva
—Best Classical Compendium—
Beloved
Anne Akiko Meyers, Los Angeles Master Chorale, Grant Gershon
Michael Daugherty: Blue Electra / Last Dance at the Surf / To the New World
Anne Akiko Meyers, Albany Symphony, David Alan Miller
A Century of New Sounds
Dover Quartet, Imani Winds, Kristin Andlauer, Justin Bernardi, Dasara Beta, Maya Anjali Buchanan, Matthew Christakos, Diogo Fernandes, Emmalena Huning, Sumin Kim, Ania Lewis, Delvan Lin, Daniel Matsukawa, Tae McLoughlin, Katherine Needleman, David Shifrin, Noah Urquidi, Patrick Williams, Jiacheng Xiong, Amy Yang, Natalie Zhu
Cerrone: Don’t Look Down
Sandbox Percussion, Conor Hanick, Elspeth Davis
Censored Anthems
Ian Niederhoffer, Aubree Oliverson, Parlando
ROMÁNTICO
Karen LeFrak, Sharon Isbin, Orchestra of St. Luke’s, Enrico Lopez-Yañez
—Best Contemporary Classical Composition—
Billy Childs: In the Arms of the Beloved featuring Anne Akiko Meyers
Michael Daugherty: Blue Electra featuring Anne Akiko Meyers
Philip Glass: New Chaconne featuring Anne Akiko Meyers
Jerod Impichcha̱achaaha' Tate: "Woodland Songs" featuring the Dover Quartet
Karen LeFrak: Miami Concerto for Guitar and Orchestra from ROMÁNTICO
Andy Akiho: Pentalateral I featuring Sandbox Percussion
Chris Cerrone: Don’t Look Down featuring Sandbox Percussion
—Best Engineered Album, Classical—
Karen LeFrak: ROMÁNTICO
Gintas Norvila, Jennifer Nulsen
Coleridge-Taylor
Rick Jacobsohn, Jeanne Velonis
Cerrone: Don’t Look Down featuring Sandbox Percussion
Mike Tierney, Alex Conroy
—Producer Of The Year, Classical—
Coleridge-Taylor featuring Michael Repper
Judith Sherman
—Best Arrangement, Instrumental, or A Cappella—
Deep River from Coleridge-Taylor
Curtis Stewart, Hamilton Berry
—Best Album Notes—
Coleridge-Taylor
Michael Repper