Bachtrack: The New York Phil pays heartfelt tribute to Stephen Sondheim at Bravo! Vail
One of four orchestras appearing at Bravo! Vail this summer, the New York Philharmonic brought along six different programmes, the first four of which were led by music director Jaap van Zweden – including a cathartic Mahler Sixth. Leonard Slatkin took over the reins for the remaining two programmes in the open-air main venue: an all-Tchaikovsky evening and this concluding concert, “A Sondheim Celebration”. Originally, these last two concerts were to have been conducted by Bramwell Tovey, a much-loved regular at Bravo! Vail who died on 12th July, only 69 years old. Slatkin dedicated the performances to his memory.
Bachtrack
By Thomas May
One of four orchestras appearing at Bravo! Vail this summer, the New York Philharmonic brought along six different programmes, the first four of which were led by music director Jaap van Zweden – including a cathartic Mahler Sixth. Leonard Slatkin took over the reins for the remaining two programmes in the open-air main venue: an all-Tchaikovsky evening and this concluding concert, “A Sondheim Celebration”. Originally, these last two concerts were to have been conducted by Bramwell Tovey, a much-loved regular at Bravo! Vail who died on 12th July, only 69 years old. Slatkin dedicated the performances to his memory.
The NY Phil has made several deep dives into the work of the Broadway trailblazer, who died at the age of 91 last November. Along with orchestral arrangements of suites from several of his musicals and a film score, they’ve given semi-staged concert presentations of Company and Sweeney Todd over the years. But the guiding idea of this programme was simply to sample and savour the astonishing variety of worlds that Stephen Sondheim conjured with his innovative – indeed, paradigm-shifting – contributions to music theatre.
Read more here.
Photo: Carly Finke
Bachtrack: Bach and Mendelssohn: Jennifer Koh and Vijay Iyer in a wintry Sun Valley
A festival appearance in Sun Valley, Idaho, put violinist Jennifer Koh in a number of spotlights over the long weekend of 24th-26th February. She served as curator for the winter Sun Valley Music Festival, crafting a program that repeated (with slight variation) in each of the four concerts, spanning centuries and celebrating a return to coming together in a common space.
Bachtrack
By Kurt Gottschalk
A festival appearance in Sun Valley, Idaho, put violinist Jennifer Koh in a number of spotlights over the long weekend of 24th-26th February. She served as curator for the winter Sun Valley Music Festival, crafting a program that repeated (with slight variation) in each of the four concerts, spanning centuries and celebrating a return to coming together in a common space. She also featured several of her own commissions and was featured soloist for the series.
That common space was a black box theater in the Argyros Performing Arts Center in the small town of Ketchum, a new and flexible room (opened in 2018) with beautiful lighting design and outfitted with a Meyer Constellation Acoustic System.
Read more here.
Bachtrack: Variations of tension, energy and contrast with Long Yu and the Hong Kong Phil
First, a disclaimer: I have been an admirer of Long Yu’s conducting skills – not that he can do no wrong, but that he can usually make up for it by delivering tension, energy and contrast in whatever is at hand. Friday evening’s collection of variations with the Hong Kong Philharmonic was a case in point.
Bachtrack
Alan Yu
First, a disclaimer: I have been an admirer of Long Yu’s conducting skills – not that he can do no wrong, but that he can usually make up for it by delivering tension, energy and contrast in whatever is at hand. Friday evening’s collection of variations with the Hong Kong Philharmonic was a case in point.
Long Yu’s première of Er Huang in Hong Kong was a resounding success, traversing the full gamut of emotional latitude the work afforded, from contemplative introspection to boisterous clamour. He laid bare the variety of orchestral colours and kept us on tenterhooks with a superb sense of timing.
Read the full Bachtrack review here.