Meyers floated in, 1741 “Vieuxtemps” del Gesù in hand, wearing a voluminous gown in a soft black, its overlaid geometric pattern a seeming nod to the hall’s distinctive woodwork. Vieaux, also in black, took his seat and with a quick smile between them, they jumped into the music. An arrangement of Arcangelo Corelli’s Sonata in D minor, Op. 5, No. 12, “La Folia,” with variations headed the program. Fleet fingerwork in both instruments marked the players as virtuosos, but the variations that showcased the artists at their best allowed Vieaux to indulge in a little head bobbing, as he navigated his guitar with astonishing ease, and Meyers to pull a sultry voice from her del Gesù.
Yuga Cohler is on a mission to disrupt the classical-music establishment. And he already has its attention. The 28-year-old conductor, who debuts as the music director at Ridgefield Symphony Orchestra (RSO) on May 5, gained international prominence last year with his project Yeethoven, an orchestral concert comparing the works of Beethoven and Kanye West that culminated in a sold-out show at Lincoln Center’s Alice Tully Hall in January.