For Your GRAMMY® Consideration
We are so proud of the brilliant recordings from the 8VA roster this year. Please consider the following when casting your GRAMMY® ballots. First round voting runs from October 12, 2026 through October 22, 2026.
Le Devoir: YulianNa Avdeeva Performs with Montreal Symphony Orchestra
Yulianna Avdeeva appeared last week with the Montreal Symphony Orchestra, performing Chopin's Piano Concerto No. 1. Critic Christophe Huss reviews for Le Devoir.
Bachtrack: Yulianna Avdeeva Performs with the Pittsburgh Symphony
Star pianist Yulianna Avdeeva, gold medalist of the 2010 International Chopin Piano Competition, performed Prokofiev’s Piano Concerto No. 2 with the Pittsburgh Symphony. Bachtrack reviews.
"Music in the Rockies": Bravo! Vail, Anne-Marie McDermott, and Yulianna Avdeeva featured on Pianist magazine
Erica Worth, editor of Pianist magazine, visited Bravo! Vail Music Festival this summer, now in its 38th year. She reports on this classical music haven high up on the Rocky Mountains.
"Richly rewarding: Yulianna Avdeeva is on five-star form in Shostakovich," says BBC Music Magazine
Another top review of the amazing Russian pianist's new recording of the 24 Preludes and Fugues, Op. 87. In the September 2025 issue of BBC Music Magazine.
The Daily Northwestern: A feast of pianistic fantasy: Yulianna Avdeeva enchants with Chopin and Rachmaninoff
Against the lustrous backdrop of Lake Michigan, pianist Yulianna Avdeeva took the Galvin Recital Hall audience on a journey of imagination and rumination through the music of Frédéric Chopin and Sergei Rachmaninoff.
The winner of the prestigious 2010 International Chopin Competition, Avdeeva performed as part of Bienen School of Music’s Skyline Piano Artist Series.
Avdeeva opened with Chopin’s “Polonaise-Fantasie.” Rather than emphasizing the “Polonaise” — a traditional Polish dance — Avdeeva let dance rhythms accompany the wandering melodies and frequent tempo changes of the “Fantasie.” Sometimes Avdeeva’s right and left hands were subtly offset, an imaginative touch that created a sense of exploration.
The following piece, Chopin’s “Barcarolle,” a reimagination of Venetian boat songs, exemplified Avdeeva’s characteristic restraint and subdued grandeur.
After a nuanced, poignant performance of Chopin’s “Prelude in C-sharp minor,” Avdeeva launched without pause to his “Scherzo No. 3.” The interplay between serene spontaneity and tumultuous outbursts in the Scherzo mirrored the imaginative and fiery performance of Rachmaninoff that would come later.