The second part of Terry Borman’s detailed examination of Anne Akiko Meyers’ violin, ‘Vieuxtemps’ Guarneri ‘Del Gesù’, with contributions from experts in the latest technologies, investigating acoustics, dendrochronology, varnish analysis and plate thicknesses.
Since I was a child, I have studied cello with cellists. Makes sense, right? A cello teacher knows how to best hold a cello and a cello bow, place his or her fingers on the fingerboard, play in thumb position . . . the list goes on and on. The technical expertise of a cello teacher is undeniable, but what about the music?
Listen here to Anne Akiko Meyers who performed Arvo Pärt's "Spiegel im Spiegel' and Bach's "Air" from Orchestral Suite... Read More