The Know: From sentimental to sensational: These 7 classical music happenings that will shape summer 2021
Classical music makes a nimble return to stages across the region this summer after a painful, pandemic-induced year off.
A sentimental note: “Seven O’Clock Shout,” the Philadelphia Orchestra, Bravo! Vail music festival, July 17
Composer Valerie Coleman calls her “Seven O’Clock Shout” musical anthem “a declaration of our survival.” The piece was first performed in a city that knows something about declarations when The Philadelphia Orchestra premiered it last summer. Coleman wrote it as a tribute to front-line health and safety workers and it recalls the nightly cheers that erupted around the country to thank them for their labor during the pandemic.
The Know
Ray Mark Rinaldi
Classical music makes a nimble return to stages across the region this summer after a painful, pandemic-induced year off. In some ways, things will be different, with venue changes and programming sure to serve as reminders of what we’ve all been through over the past 15 months. But in other ways it will be same, with the high level of premieres and performers that have come to define the world-class classical scene we are fortunate to have here. If you are looking for memorable moments, here are a few likely candidates.
“Seven O’Clock Shout,” the Philadelphia Orchestra, Bravo! Vail music festival, July 17.
Composer Valerie Coleman calls her “Seven O’Clock Shout” musical anthem “a declaration of our survival.” The piece was first performed in a city that knows something about declarations when The Philadelphia Orchestra premiered it last summer. Coleman wrote it as a tribute to front-line health and safety workers and it recalls the nightly cheers that erupted around the country to thank them for their labor during the pandemic.
Read more here.
United Hemispheres: Take in Classical Music and Mountain Scenery at These Summer Festivals
While artists and venues have tried to make due with virtual performances over the past year, nothing can replace the shared thrill of an in-person concert. That goes not only for pop stars but for orchestras. With music festivals set to make a comeback this summer, here are three orchestral concert series that send world-class musicians onto stages with spectacular Rocky Mountain backdrops.
United Hemispheres
Thomas May
While artists and venues have tried to make due with virtual performances over the past year, nothing can replace the shared thrill of an in-person concert. That goes not only for pop stars but for orchestras. With music festivals set to make a comeback this summer, here are three orchestral concert series that send world-class musicians onto stages with spectacular Rocky Mountain backdrops.
Sun Valley Music Festival
Famous for attracting Hollywood royalty (Ernest Hemingway, Clint Eastwood, Arnold Schwarzenegger), Sun Valley, Idaho, is also home to the largest admission-free classical music festival in the U.S…
Bravo! Vail Music Festival
Set at the base of Vail’s ski runs, the open-air Gerald R. Ford Amphitheater provides a beautiful setting for the Bravo! Vail Music Festival…
Grand Teton Music Festival
Returning for its 60th season, the Grand Teton Music Festival once again graces Jackson Hole, Wyoming, right next to Grand Teton National Park.
Read more here.
BBC Music Magazine: Bartók • Beethoven • Dvorák: String Quartets (Juilliard String Quartet)
Bartók • Beethoven • Dvořák (5-star rating)
The Juilliard String Quartet celebrates its 75th anniversary this year– and here is the first recording with its most recent recruit, first violin Areta Zhulla. While its membership has changed over the decades, the quartet is still associated with the institution it is named after (all its members teach there), and its trademark tonal beauty, sensitively attuned ensemble and technical splendour is amply on show in this recording.
BBC Music Magazine
Jessica Duchen
Bartók • Beethoven • Dvořák (5-star rating)
Bartók: String Quartet No. 3; Beethoven: String Quartet No. 8, Op. 59 No. 2 ‘Rasumovsky’; Dvořák: String Quartet No. 12 ‘American’
The Juilliard String Quartet celebrates its 75th anniversary this year– and here is the first recording with its most recent recruit, first violin Areta Zhulla. While its membership has changed over the decades, the quartet is still associated with the institution it is named after (all its members teach there), and its trademark tonal beauty, sensitively attuned ensemble and technical splendour is amply on show in this recording.
Read more here.
The New Criterion: Symphony by the sea
The coalescence of art, capital, and wise public health policies that is rapidly transforming South Florida into an international cultural hub has received a great boost this spring from the Palm Beach Symphony. The orchestra’s dynamic maestro, Gerard Schwarz, has led it to new heights and placed it among the ranks of the very best American regional ensembles (an ascendancy that was sorely needed following the closing of the Florida Philharmonic in 2003). The longtime director of the Seattle Symphony and New York’s Mostly Mozart Festival, Schwarz moved to Florida in 2019 to become Distinguished Professor of Music at the University of Miami’s Frost School of Music and the director of the Frost Symphony, before assuming his post as the Palm Beach Symphony’s musical and artistic director last season.
The New Criterion
Paul du Quenoy
On a live concert by the Palm Beach Symphony.
The coalescence of art, capital, and wise public health policies that is rapidly transforming South Florida into an international cultural hub has received a great boost this spring from the Palm Beach Symphony. The orchestra’s dynamic maestro, Gerard Schwarz, has led it to new heights and placed it among the ranks of the very best American regional ensembles (an ascendancy that was sorely needed following the closing of the Florida Philharmonic in 2003). The longtime director of the Seattle Symphony and New York’s Mostly Mozart Festival, Schwarz moved to Florida in 2019 to become Distinguished Professor of Music at the University of Miami’s Frost School of Music and the director of the Frost Symphony, before assuming his post as the Palm Beach Symphony’s musical and artistic director last season. His son Julian, an accomplished cellist who joined his father as the soloist in this judiciously programmed concert, quite rightly described him to me as “the busiest conductor of the covid-19 pandemic era.”
Read more here.
Violin Channel: Dr. Sharon Azrieli on the Azrieli Music Prizes Competition
The Violin Channel recently sat down with Dr Azrieli, the visionary behind the Azrieli Music Prizes, the Azrieli Foundation Board Director, and the Board Liaison on the Azrieli Music Prizes Advisory Council.
Can you tell us about the Azrieli Foundation? When was it founded and what is its core mission?
Founded over 30 years ago by my father, David Azrieli, the Azrieli Foundation takes a thoughtful and creative approach to philanthropy.
The Violin Channel
The Violin Channel recently sat down with Dr Azrieli, the visionary behind the Azrieli Music Prizes, the Azrieli Foundation Board Director, and the Board Liaison on the Azrieli Music Prizes Advisory Council.
Can you tell us about the Azrieli Foundation? When was it founded and what is its core mission?
Founded over 30 years ago by my father, David Azrieli, the Azrieli Foundation takes a thoughtful and creative approach to philanthropy.
We believe that courageous forward-thinking, strategic collaborations and community leadership are the keys to creating positive outcomes for present and future generations.
We aim to make a significant difference in several areas of importance, including music, arts and culture; scientific and medical research; educational empowerment; architecture and design; Holocaust commemoration and education; and quality of life initiatives for people with developmental disabilities. It’s a broad and bold approach to philanthropy that makes a measurable positive impact year after year.
Read more here.
Ludwig van: Nicolas Namoradze: ‘Life Is Full Of Surprises’
“Life is full of surprises,” Nicolas Namoradze a.k.a. “Nico” says of his impressive win of the top prize at the 2018 Honens International Piano Competition. The triennial Calgary-based competition has helped launch international performance and recording careers for a galaxy of classical music stars.
After taking the bold move of stepping out of the limelight for four years before entering the competition, the then 26-year-old pianist dazzled with virtuosic technique, matched by unconventional repertoire. His program included a lengthier choice of Brahms’ Piano Concerto No. 2 in B♭ major, Op. 83 for the finals, and his own Etudes he described as “fearsomely challenging”.
Ludwig van
Holly Harris
Spend an hour chatting with the brilliant musician Nicolas Namoradze, and it’s abundantly clear this is not your typical pianist.
“Life is full of surprises,” Nicolas Namoradze a.k.a. “Nico” says of his impressive win of the top prize at the 2018 Honens International Piano Competition. The triennial Calgary-based competition has helped launch international performance and recording careers for a galaxy of classical music stars.
After taking the bold move of stepping out of the limelight for four years before entering the competition, the then 26-year-old pianist dazzled with virtuosic technique, matched by unconventional repertoire. His program included a lengthier choice of Brahms’ Piano Concerto No. 2 in B♭ major, Op. 83 for the finals, and his own Etudes he described as “fearsomely challenging”.
“You can get into trouble with things like that,” Namoradze states calmly of his program choices. “I made decisions that went against the grain because I knew that this wasn’t the kind of competition where I should be thinking about competition strategy. Brahms 2 was simply my favourite concerto, and I love playing it.”
Read more here.
Gramophone: Figaro in the City: Mozart as a television series
When I had the initial idea to salvage a concert version of the Marriage of Figaro, Paris was just coming out of its first confinement period. Springtime was bursting out, we no longer needed to fill out forms to leave our homes and while all performing venues were closed, the prevalent feeling in the streets was that the time had come to find imaginative ways to keep music alive. I had just spent a month re-reading Magic Mountain, and coming down from the heights of the sanatorium, I felt an urge to find a way to refit our project to adapt to the challenges of the day.
Gramophone
David Stern
A young cast, imaginative filming - how the project came about. Watch the first episode for free
When I had the initial idea to salvage a concert version of the Marriage of Figaro, Paris was just coming out of its first confinement period. Springtime was bursting out, we no longer needed to fill out forms to leave our homes and while all performing venues were closed, the prevalent feeling in the streets was that the time had come to find imaginative ways to keep music alive. I had just spent a month re-reading Magic Mountain, and coming down from the heights of the sanatorium, I felt an urge to find a way to refit our project to adapt to the challenges of the day.
Read more here.
OperaWire: Q & A: David Stern on Opera Fuoco’s New Opera Mini-Series ‘Figaro in the City’
David Stern’s opera company, Opera Fuoco, recently released a 14-part online series of “The Marriage of Figaro” which is set in 2020.
The series was created in response to the new technological developments and the new streaming era of opera which has grown due to the COVID-19 pandemic. Stern is a firm believer that in the Netflix-era, people want/need to be able to consume the arts in smaller bites. As a result, the new series was created and stars members of Opera Fuoco’s Young Artist Program and world-renowned singer Laurent Naouri.
OperaWire had a chance to speak with Stern about the new series, the filming process, and the challenges of making an opera show.
OperaWire
Francisco Salazar
David Stern’s opera company, Opera Fuoco, recently released a 14-part online series of “The Marriage of Figaro” which is set in 2020.
The series was created in response to the new technological developments and the new streaming era of opera which has grown due to the COVID-19 pandemic. Stern is a firm believer that in the Netflix-era, people want/need to be able to consume the arts in smaller bites. As a result, the new series was created and stars members of Opera Fuoco’s Young Artist Program and world-renowned singer Laurent Naouri.
OperaWire had a chance to speak with Stern about the new series, the filming process, and the challenges of making an opera show.
OperaWire: How did you come up with the idea for “Figaro in the city?”
Read more here.
France 24: Arena rock? Palm Beach says try arena opera
With the pandemic forcing most stages to go virtual, the Palm Beach Opera is embracing its tropical weather and holding an outdoor festival.
The company is expecting to host some 1,000 people per show at their series kicking off this weekend starting with the classic "La Boheme" -- the largest-scale opera with an audience in the United States since the pandemic essentially shut down live performance nearly a year ago.
France 24
With the pandemic forcing most stages to go virtual, the Palm Beach Opera is embracing its tropical weather and holding an outdoor festival.
The company is expecting to host some 1,000 people per show at their series kicking off this weekend starting with the classic "La Boheme" -- the largest-scale opera with an audience in the United States since the pandemic essentially shut down live performance nearly a year ago.
Organizers say the capacity for the festival running from February 19-27 is possible due to the size of their outdoor amphitheater, which has 6,000 fixed seats. Masks, temperature checks and social distancing will be required to attend.
While much pandemic-era opera has gotten more intimate, via screens or with small audiences, the Palm Beach festival is aiming to expand.
"Ozzy Osbourne stood in the place where I'm conducting," David Stern, the opera's chief conductor who will lead both "La Boheme" and "The Magic Flute," told AFP with a laugh.
Read more here.
The Strad: Why we should all be violists
What is a viola?
Walking down the street, meeting strangers the conversation often goes ‘So you play the violin?’
‘No, actually it is a viola.’
‘A WHAT??’
‘Well, it’s an instrument bigger than the violin, smaller than a cello.’
‘Oh, I see …. never heard of it! Good luck with THAT!’
As I write this, spell check is not allowing me to write the word ‘violist’, suggesting the word ‘violinist’ as a possible fix. Funnily enough, I too never heard of it when growing up in Taiwan 30 years ago. We young musicians were given the option to pick a second instrument as we entered the 4th grade. Knowing only that I didn’t want to play the violin like everyone else, I opted to play something that the orchestra needed. They offered me either the oboe or the viola. We had no idea what a viola was, but my father thought playing the oboe did not look too appealing, so the viola was what we settled on.
The Strad
Hsin-Yun Huang
Violist and teacher Hsin-Yun Huang makes the case for her instrument of choice
What is a viola?
Walking down the street, meeting strangers the conversation often goes ‘So you play the violin?’
‘No, actually it is a viola.’
‘A WHAT??’
‘Well, it’s an instrument bigger than the violin, smaller than a cello.’
‘Oh, I see …. never heard of it! Good luck with THAT!’
As I write this, spell check is not allowing me to write the word ‘violist’, suggesting the word ‘violinist’ as a possible fix. Funnily enough, I too never heard of it when growing up in Taiwan 30 years ago. We young musicians were given the option to pick a second instrument as we entered the 4th grade. Knowing only that I didn’t want to play the violin like everyone else, I opted to play something that the orchestra needed. They offered me either the oboe or the viola. We had no idea what a viola was, but my father thought playing the oboe did not look too appealing, so the viola was what we settled on.
Read more here.