The Oakland Symphony has never let its under-$3-million budget cramp its thinking. It’s still an orchestra on a social equity mission, which you could see from the highly diverse audience at Friday night’s concert at the Paramount Theatre and from the title of the concert itself: “Truth to Power.”

Since the orchestra is still in search mode for a new music director, critical eyes were cast upon the evening’s conductor, Jeri Lynne Johnson. She has an impressive resume, giving well-received guest appearances, founding the Black Pearl Chamber Orchestra, and winning the Taki Alsop Conducting Fellowship in 2005. She’s a direct presence on the podium, all business and no extra movements. She had the orchestra’s attention, leading a crisp reading of Beethoven’s Fidelio Overture to start. And she was more impressive leading Anthony Davis’s clarinet concerto You Have the Right to Remain Silent. I’d give her high marks for her conducting work.

You might not expect a high-powered soloist like Anthony McGill — 2024 Grammy nominee, a performer at former President Barack Obama’s first inaugural, principal of the New York Philharmonic — to sit in with the Oakland Symphony. That is, you wouldn’t expect it if you don’t follow the orchestra or McGill. Since learning this piece for a performance with the Cincinnati Symphony (available on YouTube), he’s made it his own cause and played it in Boston, Detroit, New York, Miami, and finally here. He’s also done a couple of interviews about it.