BBC Music Magazine: 'We must educate young musicians' ears and hearts' – violist Hsin-Yun Huang
Every time I take the train between New York and Philadelphia, I am reminded of my earliest days of train travel. First I was at the Menuhin School in the UK, travelling from Cobham to Wimbledon to play for my teacher, David Takeno. Later I travelled from Philadelphia to New York to play for Michael Tree when he didn’t have time in his schedule to visit the Curtis Institute, where I was a student.
My train time became sacred thinking time as I played a game with myself — am I going to face forward or backwards? I never knew and was delighted in the mystery revealing itself as the train departed.
The Strad: Hsin-Yun Huang: Life Lessons
When I was growing up in Taiwan, people either played piano or violin. I learnt piano, and when the time came to learn a second instrument, at ten years old I thought I may as well be useful and play something other than the violin! So I went to the orchestra office and asked what they needed, which was the viola. At first I didn’t take it very seriously, but it was with the guidance of conductor Felix Chen that I progressed to the level of being able to join the Menuhin School when I was 14. Every Saturday my friends and I would spend five hours at Felix’s house having lunch, drawing, singing, joking, playing sonatas and duos – just having fun.
Strings Magazine: A String Player's Guide to New York City
Even the most jaded New Yorkers cherish iconic New York City moments—walking in Central Park, sitting by the Lincoln Center fountain, savoring a pizza at Grimaldi’s. But the reason string players love Gotham goes further, to its constant embrace of new experiences—performance venues, chamber ensembles, jam sessions. Here are some of the myriad venues, ensembles, restaurants, and cultural institutions that make this musical city great.
The Strad: Opinion: Relaxed body, focused mind
All art forms are mirrors of our inner selves. From writers to composers, from dancers to musicians, from artists to actors – the moment we are touched by inspiration, time stands still and we focus inward to create a transcendent artistic experience. It is every musician’s goal to communicate from the soul through music.
The Strad: Why we should all be violists
What is a viola?
Walking down the street, meeting strangers the conversation often goes ‘So you play the violin?’
‘No, actually it is a viola.’
‘A WHAT??’
‘Well, it’s an instrument bigger than the violin, smaller than a cello.’
‘Oh, I see …. never heard of it! Good luck with THAT!’
As I write this, spell check is not allowing me to write the word ‘violist’, suggesting the word ‘violinist’ as a possible fix. Funnily enough, I too never heard of it when growing up in Taiwan 30 years ago. We young musicians were given the option to pick a second instrument as we entered the 4th grade. Knowing only that I didn’t want to play the violin like everyone else, I opted to play something that the orchestra needed. They offered me either the oboe or the viola. We had no idea what a viola was, but my father thought playing the oboe did not look too appealing, so the viola was what we settled on.
The New York Times: Classical Concert to Stream, Hsin-Yun Huang with the Brentano String Quartet
The 92nd Street Y is opening an enticing season of livestreams with a concert by this exciting quartet [Brentano String Quartet]. On paper, a program offering works by Haydn and Mendelssohn might not seem so daring. But these superb players have chosen rarer fare, including Haydn’s String Quartet in D (Op. 17, No. 6); four short pieces by Mendelssohn; and that composer’s String Quintet in B-flat, a restless score with a mournful slow movement and hurtling finale. (The violist Hsin-Yun Huang joins for it.)