Broadway World: The Azrieli Foundation And Analekta Release NEW JEWISH MUSIC, VOL. 4 - AZRIELI MUSIC PRIZES
The Azrieli Foundation is pleased to announce the October 6th release of New Jewish Music, Vol. 4 - Azrieli Music Prizes on Analekta. The album features the world-premiere recordings of three prize-winning works by the 2022 Azrieli Music Prizes Laureates Iman Habibi (2022 Azrieli Commission for Jewish Music), Aharon Harlap (2022 Azrieli Prize for Jewish Music) and Rita Ueda (2022 Azrieli Commission for Canadian Music). These works are brought vividly to life by the Orchestre Métropolitain under the direction of Artistic Partner Nicolas Ellis.
OperaWire: Canada’s Azrieli Foundation Introduces the Azrieli Music, Arts, and Culture Center
The Canadian Azrieli Foundation, known for its annual music competition and dedication to the arts, has announced the establishment of the Azrieli Music, Arts, and Culture Center (AMACC).
The creation of the Center comes after reviewing a decade of its arts support, signaling an expanded commitment from the Foundation.
AMACC reflects the Foundation’s goal to provide consistent backing as a funder and partnership as a collaborator to Canada’s art and culture community.
Violin Channel: 2024 Azrieli Music Prizes Now Accepting Applications
For its fifth competition, AMP is seeking scores and proposals for a cappella choral works
Established in 2014, the Canada-based Azrieli Music Prizes (AMP) is comprised of four categories: The Azrieli Commission for Canadian Music, The Azrieli Commission for Jewish Music, The Azrieli Prize for Jewish Music, and the inaugural Azrieli Commission for International Music.
The latter category is new to the competition and invites composers worldwide "to creatively engage with the richness of humanity’s diverse cultural heritage," according to AMP.
The 2024 competition is seeking submissions for a cappella choral works that will match the force of its Performance Partner, the Orchestre symphonique de Montréal Chorus (OSM Chorus), including up to four additional instruments and/or soloists.
Blogcritics: Concert Review (NYC): The Knights and Lara St. John with Music of Avner Dorman and Felix Mendelssohn at the Central Park Bandshell
The meat of the program commenced when Lara St. John stepped in front of the white-clad orchestra. Nigunim is a violin concerto rooted in melodies inspired by Jewish songs from around the world. The piece won the Azrieli Prize in 2018. In a recent interview with Blogcritics the composer told us that in writing it he created new melodies inspired by “listening to music from Jewish communities around the world, recalling music I had heard from different diasporas, and internalizing the styles and gestures. I also analyzed these melodies and found some surprising commonalities.”
Violin Channel: Dr. Sharon Azrieli on the Azrieli Music Prizes Competition
The Violin Channel recently sat down with Dr Azrieli, the visionary behind the Azrieli Music Prizes, the Azrieli Foundation Board Director, and the Board Liaison on the Azrieli Music Prizes Advisory Council.
Can you tell us about the Azrieli Foundation? When was it founded and what is its core mission?
Founded over 30 years ago by my father, David Azrieli, the Azrieli Foundation takes a thoughtful and creative approach to philanthropy.
Toronto Star: Azrieli Foundation conducts a new approach to launching its prize-winning composers
Bach, Mozart, Beethoven? You know what they do. What about Keiko Devaux, Yotam Haber and Yitzhak Yedid? Actually, they do the same: they are composers. Only they are still alive and relatively unknown.
That is where the Azrieli Foundation comes in. Like philanthropic enterprises elsewhere, the Montreal-based foundation has undertaken a mission to discover and celebrate creative talent in music.
Established in 2014 and awarded biennially, the Azrieli Music Prizes are, at a total value of $200,000 each — including a commissioning prize, a gala concert, national premier and recording for release — the largest in Canada to be awarded to composers.
The New York Times: Whispers of an Italian-Jewish Past Fill Yotam Haber’s Music
Since early in his career, Yotam Haber has grappled with what it means to be a contemporary Jewish composer. The tentative answers offered by his music — full of allusions, distortion and whispers of the past — suggest that the grappling itself is a vital part of that identity.
The Azrieli Foundation Announces Calls for Proposals for New Performance Fund
UPDATE: The deadline for proposals has been extended to May 1, 2020.
The Azrieli Foundation is delighted to announce a new funding stream within its Azrieli Music Prizes (AMP) program. The annual Azrieli Music Prizes Performance Fund (AMP-PF) supports professional music ensembles in preparing and presenting public performances of Azrieli Music Prize-winning works. The Foundation is currently accepting proposals from professional orchestras world-wide that plan to perform the AMP winning works in their 2021-2022 and 2022-2023 seasons.
Ludwig van: Azrieli Foundation Announces New Call For Proposals From Orchestras
The Azrieli Foundation has announced a call for proposals for a brand new funding stream within its Azrieli Music Prizes (AMP) program.
The Azrieli Music Prizes Performance Fund (AMP-PF) is a new and annual funding stream that offers support for professional ensembles to prepare and perform works that have won the Azrieli Music Prize. Orchestras that receive funding would perform the AMP winning works in their 2021-2022 and 2022-2023 seasons.
The Canadian Jewish News: Azrieli Prize Winners Explore Diversity of Jewish Music
Yotam Haber, a Dutch-born composer who’s based in New Orleans, is the recipient of the 2020 Azrieli Commission for Jewish Music, the organization announced on Nov. 7. The winner of the 2020 AMP for the best new major work of Jewish music is Yitzhak Yedid, an Israeli-born Australian. For the first time, a third AMP winner was selected this year for the new Azrieli Commission for Canadian Music (not with a Jewish theme). It goes to Keiko Devaux, a composer of music for ensembles, dance and film, who’s currently completing a doctorate in composition at UdeM.